Thursday, September 12, 2013

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You're browsing the net for a cheap fancy dress costume. You find a hilarious range of morph suits or pirate outfits that'll really make you and your mates stand out in a crowd. Click, click, click, and it's ordered. But have you ever stopped to wonder when this peculiar custom originated? Why do we http://www.prostinol.com/ parties dressed as... well, someone else?Like most Western habits, religion played a key roll in the making of the day fancy dress party. It all began with Lent. These forty days and forty nights are a reminder of Jesus' time spend in the wilderness. Traditionally, no parties or celebrations are held during this time, and people refrain from eating rich foods, such as meat, dairy, fats - and these days, chocolate.So, in the days leading up to Lent, all such products had to be disposed of.
What better way to do so than organising a giant party, where the whole community could come together and gorge themselves silly? And so, we had the Carnival.Carnival of VeniceSome carnival-prostinol celebrations do pre-date Christian times, like the louis vuitton online shop Roman festivals of Saturnalia and Bacchanalia. These were most likely absorbed into the Italian masquerade ball though, resulting in the world-famous Carnival of Venice, starting forty days before Easter and ending on Shrove Tuesday (known locally as Fat Tuesday, or Martedi Grasso). It was here that the wearing of masks began, with Venetian maskmakers (mascherans) enjoying a special place in society, with their own laws and guilds.Unfortunately, there is no concrete proof as to why mask-wearing caught on, but it is thought to be a reaction to the extremely strict class-structures in Venetian society.
Wearing a mask allowed people to be treated equally, and they were permitted to do so between the festival of Santo Stefano (26 December) and Shrove Tuesday, and again between 5 October and Christmaslouis vuitton herrentaschen Thus, citizens were allowed to spend a large chunk of the year in.Masked balls and such like were a feature of many Shakespeare plays, often with tragic consequences. Aphra Behn's The Rover followed a similar theme, the play set during the Carnival of Venice where characters could hide their identities and thus free themselves from inhibitions. These kinds of masked celebrations grew in popularity throughout Europe between the 15th and 18th centuries, with masquerade balls being a sort of game where guests would try to guess who each other were.
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