You're browsing the net for a cheap fancy dress costume. You find a hilarious 
range of morph suits or pirate outfits that'll really make you and your mates 
stand out in a crowd. Click, click, click, and it's ordered. But have you ever 
stopped to wonder when this peculiar custom originated? Why do we http://www.prostinol.com/ parties dressed 
as... well, someone else?Like most Western habits, religion played a key roll in 
the making of the day fancy dress party. It all began with Lent. These forty 
days and forty nights are a reminder of Jesus' time spend in the wilderness. 
Traditionally, no parties or celebrations are held during this time, and people 
refrain from eating rich foods, such as meat, dairy, fats - and these days, 
chocolate.So, in the days leading up to Lent, all such products had to be 
disposed of. 
What better way to do so than organising a giant party, where the whole 
community could come together and gorge themselves silly? And so, we had the 
Carnival.Carnival of VeniceSome carnival-prostinol celebrations do pre-date 
Christian times, like the louis vuitton online shop Roman festivals of 
Saturnalia and Bacchanalia. These were most likely absorbed into the Italian 
masquerade ball though, resulting in the world-famous Carnival of Venice, 
starting forty days before Easter and ending on Shrove Tuesday (known locally as 
Fat Tuesday, or Martedi Grasso). It was here that the wearing of masks began, 
with Venetian maskmakers (mascherans) enjoying a special place in society, with 
their own laws and guilds.Unfortunately, there is no concrete proof as to why 
mask-wearing caught on, but it is thought to be a reaction to the extremely 
strict class-structures in Venetian society.
Wearing a mask allowed people to be treated equally, and they were permitted 
to do so between the festival of Santo Stefano (26 December) and Shrove Tuesday, 
and again between 5 October and Christmaslouis vuitton herrentaschen Thus, citizens 
were allowed to spend a large chunk of the year in.Masked balls and such like 
were a feature of many Shakespeare plays, often with tragic consequences. Aphra 
Behn's The Rover followed a similar theme, the play set during the Carnival of 
Venice where characters could hide their identities and thus free themselves 
from inhibitions. These kinds of masked celebrations grew in popularity 
throughout Europe between the 15th and 18th centuries, with masquerade balls 
being a sort of game where guests would try to guess who each other were.
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